However, after much urging on Manthara’s part, her “evil counsel” (1366) convinces the queen to force King Dasaratha to install her son, Rama’s brother, Bharata as king and to banish Rama to the forest to live as a hermit for fourteen years.įollowing Manthara’s persuasion, Kaikeyi says to her, “They say that deformed people are sinful and wicked, but in your case, the hunchback is packed with wonderful tricks” (1366). At first, Kaikeyi does not understand why Manthara views this occasion as her downfall and brushes her off. Manthara makes her first appearance in the Ramayana in Book 2 when she informs Queen Kaikeyi of Rama’s impending coronation. These trait pairings teach the reader to, over time, automatically associate one’s outward appearance with one’s character. Women described as ugly and disfigured like Kaikeyi’s servant Manthara are portrayed as evil, manipulative, and conniving, while beautiful women such as Sita are depicted as kind, obedient, and righteous. Although not completely centered around the main plotline, the role of women in the Ramayana brings to light a noteworthy collection of stereotypes found in myths, folklore, and fairy tales from every time period and country many times over. The Ramayana, one of India’s two great literary epics, is the story of the tragic romance between Prince Rama and his wife, Sita.
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